Beauty pageants why

I'll let that sink in for a sec Apparently, the stuff goes by many names i. And it also comes in spray, which apparently can make your jeans stick to your butt afterward. Oh, and although most of the girls say you don't actually glue your cheeks together, at least one of the ladies says it's essential to her routine.

So there you have it. You now know that the women who walk across the stage in pageants have glue on their backsides. And possibly between their cheeks too. What we know about her: She's 25, graduated from Central Connecticut State University with a degree in finance and a minor in criminal justice, agrees with U.

Supreme Court's decision to uphold widespread DNA tests that was her big pageant question , and will become a spokeswoman for breast and ovarian cancer awareness during her reign. You can check out the photo gallery here. Did you watch last night? And did you agree with the judges' decision? Discuss below!

Photos: WireImage. You know that Petra likes big hair and she cannot lie, but how about you? What do you think of all this fullness on Cheryl Cole here? Women were told it was their "right" to be feminine — even, or especially, as they engaged in their wartime jobs. The real explosion in the variety of color, goods and styles came after the war and had a profound effect. Now there was "mood" makeup, makeup marketed for teenagers, and even renewed interest in attracting men to cosmetics.

Even more than ever, makeup became embedded in psychological issues of self: beauty care was a sign of mental health and accepting one's femininity.

In an era when opportunities for women declined, being beautiful was a job in itself. The increasing sophistication of advertising at mid-century played to people's personal vulnerabilities and sold them on self-improvement. Advertising focused on how products would make buyers "better" people. For women, the focus was on how a product would make them more "feminine. Perhaps one of the more freeing changes in the s was the acceptance of female sexuality as something for a woman herself to enjoy.

Lipsticks called "hussy" and "fire and ice" were sold to the "high class tramp. African American women inaugurated the "natural" style.

The fashion and cosmetics industries, however, showed remarkable malleability, easily incorporating the new attitude, selling it as a look that could only be attained by purchasing more make-up. Cosmetics that didn't look artificial were marketed as higher quality products. When more women went back to cosmetics in the s it was with the distinct idea that they would wear make-up according to their own needs and desires. The cosmetics industry itself became more "multicultural" than ever before.

Women have many reasons for using cosmetics to alter their appearance, in search of allure, youth, maturity, variety — and the cosmetics industry has responded by diversifying its offerings. While some critics argue the new diversity only profits white-owned businesses wanting to cash in on "a liberal image," there seems to be a contemporary emphasis on choice.

In the end, as historian Kathy Peiss has pointed out, cosmetics mean different things to different people. Pageants around the world draw on local and international audiences and span every conceivable group and interest. The origins of beauty contests extend back for centuries; the modern pageant can be traced to the United States and the Miss America Pageant.

Hollywood films and newsreels helped spread the idea to different countries in the s and s. By the s, many beauty contests were held around the world as part of decolonization and rising nationalism. In the Miss America Corporation, a non-profit foundation unrelated to the Miss America Pageant, unified regional contests and separate national contests and invented the Miss World Pageant.

While beauty pageants around the world are primarily about putting idealized versions of femininity on a competitive stage and awarding a "royal" title and crown to the winner, they are also about using femininity to represent other issues.

As diverse as beauty contests are around the world, write historians Colleen Ballerino Cohen and Richard Wilk, they are remarkably similar. Several recent pageants underscore the importance of beauty queens as symbols. The Miss Italy Pageant generated a national dialogue on race.

Denny Mendez, a black Carribean immigrant, was crowned Miss Italy. Mendez's victory ignited a controversy and Italians debated the issue of national identity and what it means to be Italian. Commentors all over the country used the Mendez victory to discuss the issue of racial tolerance in Italy. That same year, the Miss World Contest, held in Bangalore, India, made international news when feminist and nationalist protesters picketed the pageant and threatened mass suicide.

Their message was not only that women were degraded, but also that the Miss World Pageant threatened Indian culture with its importation of western values. Objections to international pageants center on the use of these events as global showcases for Western products and Western standards of beauty. This critique, which equates the selling of women to the selling of Western products and values, has some basis.

Miss Universe, for example, is broadcast to more than eighty countries and has an audience of six hundred million people. International pageants also play a role in national aspirations. As cultural scholar Sarah Banet-Weiser has suggested, many countries that send contestants to these pageants are making a claim.

In the context of the world's cultural economy, having a contestant at an international pageant can be about claiming inclusion in the "family of nations" that comprises the international community. Many people in India and in other countries celebrated the event. Because of its newly acquired monopoly on beauty titles, India could claim its women were among the world's most beautiful. In successfully meeting the pageants' standards of beauty, the new Miss World and Miss Universe staked a claim for India in the international commercial culture these pageants represent.

On the international stage of a pageant like Miss Universe, and on Miss America's national stage, participants, organizers, and audience look for shared values and ways to feel national pride. Though beauty pageants sometimes have been critiqued as trivial or irrelevant, what makes them important to many people worldwide is the somewhat mysterious process by which an individual woman can become a symbol of national identity, group values and pride.

Discover the fascinating story of Elizebeth Smith Friedman, the groundbreaking cryptanalyst who helped bring down gangsters and break up a Nazi spy ring in South America. Her work helped lay the foundation for modern codebreaking today. I n the summer of , hundreds of wildfires raged across the Northern Rockies. By the time it was all over, more than three million acres had burned and at least 78 firefighters were dead.

She aspires to be a journalist. Alina Halley has 52 posts and counting. See all posts by Alina Halley. Skip to content. February 22, July 2, Alina Halley beauty , beauty pageant , sisterhood. Read Next. From Student Life To Mrs. Featured articles 1.

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